She joined the Métiers d’Art course in stage management, specialising in sound, in Nantes. There, she discovered theatre and joined the Théâtre National de Strasbourg school in 2013. She trained with Daniel Deshays, Renaud Roubiano, Bernard Saam and Clément Mirguet.
She created the lighting for L’Homme et la masse, directed by Christine Letailleur, the sound for Shock Corridor, directed by Mathieu Bauer and Le Radeau de la méduse, directed by Thomas Jolly, and the lighting and sound for Stoning Mary, directed by Rémy Barché. She worked with Maëlle Dequiedt on Trust Karaoké Panoramique by Falk Richter, Pupilla by Frédéric Vossier, Au Bois by Claudine Galea, I Wish I Was and Stabat Mater.
CURRENTLY IN
Stabat Mater
An endless improvisation
Wuthering Heights + Glass Town
